Thursday, 19 September 2013

Mise-en-Scene - Miss Georgiou

Mise-en-scene is a visual information in front of the camera which includes all the detail that is shown on the camera to create the effect and what the audience should think about the scene and the characters, and how they are presented. 

The five important points that shall be shown are: 
  • Setting and Iconography
  • Costume, Hair and Make up
  • Facial Expressions & Body Language
  • Lighting and Colour 
  • Positioning of characters/objects within the frame

Setting and Iconography: 

Setting plays an important part in film-making and not just 'backgrounds' as they create the whole atmosphere and give us an idea of where the film may take place. In a thriller it will be most likely; haunted house, abandoned warehouse, graveyard or a forest at night.  Or in a romantic comedy it will be most likely; in a open friendly house, daylight, in a city, or office. Sometimes sets are either built from scratch for a fantasy film or a film that deals with parallel universe or world. Or they chose a setting that already exists and is used again and again.
       Although some settings can manipulate an audience by building up certain expectations that a film might be happy, and romantic and that in a particular scene everything will be fine, yet the scene may take a wrong turn and change and a fight may break out in a neighbourhood where everything is sunny and normal. 


Costume, Hair and Make up: 

Costume, Hair and Make up play an important part in Mise-en-scene as well as it is an instant indicator to us of a character's personality, status and job. When you see for example a black suit you can either think of a spy or a person attending a funeral, or if you see someone in a dress which has bright colours it creates a nice turn of showing that, that particular person is a nice and happy constantly. 

      Hair in a film is very important as it shows in a screenshot what happened to a person for example if the hair is messy then the it shows that there they either just got out of a fight or they just come out of a night out with a person, or if the hair is normal and neat then the character/person has just encountered a normal day and nothing interesting has happened yet. 

      Make up also shows what has happened to the person so if on an actress the mascara is smudge and she looks quite unattractive then it shows that she has just been crying and is quite upset. Or if the make up is done up proper then it shows that she has done herself up for a party or a date. In a fighting scene making is used to show blood and cuts on their face or body to show that there has been a large fight and lots of people have been either killed or injured. 

Costume, Hair and Make up tells us immediately whether the film is set in the present and what society/or culture it will centre around. 


Facial Expressions and Body Language: 

Facial Expressions provide a clear indicator of how someone is feeling and how they react to a news or something, also body language is used a clear indicator too to show what the character is doing and how it effects the scene. If in a fighting scene the main character would stand at a very confident stance, ready to react to whoever would take a first swipe or attack at the character. 

Lighting and Colour:

Lighting and colour is also important in a Mise-en-scene as it creates the atmosphere especially in a thriller as you use very dim lighting to create an eerie feel to the room and making us feel that we are actually in the room with the characters. The colour is also important as it is not right to have bright colours in a thriller or to have dark depressing colours in a romantic comedy, or just a comedy as it doesn't fit the mood. 

Positioning of Characters and Objects with a frame: 

Positioning of characters is very important in a Mise-en-scene as a character which is close up and in focus whereas a character behind them is blurred and out of focused shows that this person in the front is very important and a main character and should be focused on him more as he is more important than the blurred character in the background. 

Also the objects within the frame is important as the object is in the centre of the screen shot might be large and in focus where everything else around it is out of focused and not important as the actual main image. 



Summary:


For this summary of mise-en-scene I decided to look at 'Scream' (1996, Wes Craven). 'Scream' is now considered to be one of the best thrillers of all time, as it uses the techniques and follows the narrative of a classic thriller. One of the most important things in this scene to create tension is the telephone. I means that as the audience we are unable to see the killer which helps to build the suspense. It also makes the audience feel sorry for her. The scene takes place at the woman's house in which we learn she is all alone which makes her appear more vulnerable. The woman in this scene is blonde which is stereotypical for thriller movies - blond girls are supposedly innocent and common in all thrillers (one of the most famous thrillers, 'Psycho' 1960, has a blond victim, and 'Scream' is supposed to be an homage to classic thrillers and the thriller genre). The lighting changes half way through the clip very subtly becoming darker which makes it seem more deadly. This makes the audience build fear and tension while they are waiting for something to happen. The majority of the scene is shot at a MS of her character so we see her scared body language as well as her expression. She is always central to the shot to let the audience know she is the most important part of the scene. 

Research into Cinematography - Miss Miller

Cinematography



Cinematography is the variety of camera angles used in a film. The camera angles are used to either show the background or the facial expressions and body language of a character and manipulate the audience to relate to that person. 

Camera Angle Terminology

Low Angle - Camera is positioned below the object, making it look bigger
High Angle - Camera is positioned above the object, making it look smaller
Canted Angle - Camera is tilted to suggest instability and imbalance
Eye Level - Camera is positioned at eye level with the audience to make them feel more engaged with the scene

Camera movement Terminology

Crane - Camera is mounted on a crane to move around above ground level, can also move up and down
Panning - Camera moves from side to side to follow a moving object
Zooming in - Camera moves in to an object to create importance and draw the audience in to a closer relationship with the subject
Zooming out - Camera moves away to create an emotional distance
Handheld - This is used to create jerky and on steady images to produce a sense of urgency or chaos
Point of View - used to create the audience the same image as a character within the film
Steadicam - Camera remains level and steady as it moves around.

Camera Positions Terminology

Close up - Shows a smaller part of the scene to emphasise on something ( characters face and neck, filling the shot) 
Extreme Close up - an image fills the screen so that no background is seen
Mid Shot - Camera frames the actor from waist up
Long shot - Shows all of a larger object (eg Actor and a large amount of background)
Shallow shot - used to show main subject in film focus whilst the rest of the shot is out of focus/blurry
Deep focus - The depth this the audience can see the foreground, middleground and also the background all in one scene. the purpose of this is to show the audience the mis-en-scene of the film and also the different representation of characters.
Extreme Long shot - Camera is positioned at a further distance to minimize the importance of the subject and increase the importance of the background. 


The Shining (Kubrick, 1980)






This is the scene from a classic Stephen King thriller 'The Shining' 1980 directed by Stanley Kubrick. I chose this scene to look at the cinematography because it has a large variety of shot types and uses them for different effects. It also uses editing as a way of creating drama. 


  • Tracking shot - The director uses a tracking shot to make it seem as if you are on the back of the boys bike and you see what he sees only when he sees it. This is conventional to a thriller genre because then the film starts to feel more realistic (see Tracking Shots). This is to make the audience feel as shocked as the boy and experience what he is feeling as he is feeling it. It also helps to create tension as he cycles around the corners, as we (the audience) do not know what he is going to see until he see's it.
  • POV 
  • Close up - 
  • Mid Shot
  • ELS